2011-06-20
The CAD M179 is a large diaphragm condenser microphone with an infinitely variable polar pattern. That means whether you're recording drums, vocals, string instruments, or basically anything else, you'll be able to use the CAD M179. Because of this, the CAD M179 will be a dream for many audio engineers.
I personally have never used it live, I bought it for in-studio work only, but I think with the proper caution necessary for using ANY condenser live you should not … 2020-12-23 First up is the M179, which is a side address, large diaphragm capacitor microphone with a variable polar pattern. First impressions are of a good, rugged if somewhat unusual visual design. Featuring a dual-sided, externally biased 1.1-inch diaphragm, the M179 offers a continuously variable polar pattern from figure-of-eight through to omnidirectional. The M179 is a side-address, large-diaphragm condenser mic with continuously variable pickup pattern selection and switchable high-pass filter and -20dB pad. CAD, 2001. The CAD M179 combines a vintage capsule design with advanced electronics. 2004-09-07 Even at this price, the microphone comes with its own frequency response plot.
Large diaphragm condenser microphone from CAD . 3 user reviews. Buy used. Aucune annonce.
2004-09-07
Featuring a dual-sided, externally biased 1.1-inch diaphragm, the M179 offers a continuously variable polar pattern from figure-of-eight through to omnidirectional. The multi‑pattern CAD M179.
CAD M179 Variable-Pattern Condenser Microphone Review (---) 6/10 CAD M179 is one of the good old mics from this company, which is still available today although it does have problems competing with more recent models.
The M179 is a side-address, large-diaphragm condenser mic with continuously variable pickup pattern selection and switchable high-pass filter and -20dB pad. CAD, 2001. The CAD M179 combines a vintage capsule design with advanced electronics. 2004-09-07 Even at this price, the microphone comes with its own frequency response plot. We found the response to be flat out to 2 kHz with a slight rise thereafter. The microphone has a bass roll-off switch and a 20 dB pad on the front of the mic.
That means whether you're recording drums, vocals, string instruments, or basically anything else, you'll be able to use the CAD M179. Because of this, the CAD M179 will be a dream for many audio engineers. I am new to the world of mics, I used a Blue Yeti, for two years and it broke. Sent it away for repairs and bought the CAD M179. I would consider this mic a step up.
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Because of this, the CAD M179 will be a dream for many audio engineers. I am new to the world of mics, I used a Blue Yeti, for two years and it broke. Sent it away for repairs and bought the CAD M179. I would consider this mic a step up.
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The m179 has a nice strong side null in figure-8 which makes it perfect for this. I use the m179 on guitar and oktava mk220 on vocal, both in figure-8. The m179 looks solidly built, and it is surprisingly heavy for its small size. The m179 sounds nice on acoustic instruments - clear and present.
The M179 version required less power than earlier designs, and as such did not need the onboard batteries to operate — and yet it still draws relatively high power, and may not operate to spec with phantom power supplies that cannot deliver a full 48V. tone. While the M179 compared quite favourably in omni mode with an AKG 414 on vocals, in this particular application the 414 won hands down. Moving on to the M9 valve microphone then. The M9 is a kind of intermediate stage between CAD’s own VX2 valve microphone and the solid-state design of the M179.